Bill Evans

The picking-hand sequences known as roll patterns are what gives bluegrass banjo its unique and incredible sound. It’s important for these patterns to become completely second nature, because you use them in all aspects of bluegrass banjo playing.Melodic and single-string banjo techniques offer alternative ways to play based around scales.

Knowing how to interpret chord diagrams and being able to read banjo tablature, the written form of music for the banjo, will pave the way for a much smoother road ahead on all of your banjo adventures. Becoming familiar with the most important chords and essential right-hand techniques will put you in the fast lane for having more fun playing music with others.

Fill‐in licks comprise a special category of phrases that are treated by bluegrass banjo players with special reverence. You call upon a fill‐in lick when there’s a break in the musical activity of some kind, as when a singer takes a breath between the lines of a song lyric. You can also use one or more fill‐in licks to raise the musical temperature for the final measures of your next banjo solo.

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D licks can be real bluegrass banjo attention getters. This is probably because bluegrass banjo players have come up with a lot of creative things to play when this chord inevitably pops up in a song. Most of these licks are based around different roll patterns. If you grasp the picking‐hand moves first, you can then more easily add fretting‐hand techniques to play each phrase smoothly.

Bluegrass banjo players live in the world of G! The open strings of your banjo are tuned to a G chord, most of the songs you play will be in the key of G, and you’ll encounter the G chord most frequently in chord progressions. For all these reasons, you simply can’t have enough G licks. The phrases you’ll encounter here lay the foundation for great bluegrass banjo playing.

Bluegrass banjo players can’t live by G alone, no matter how much they may wish this were true! It’s now time to look at ten great‐sounding licks based around the C chord, which is the chord you’ll often encounter just after you play a G lick in a song (and sometimes — as in the songs “This Land Is Your Land” and “John Hardy” — the C chord is the first chord you’ll play).

One of the main reasons people love bluegrass banjo music is that it's so incredibly fast and loud. In order to play at those tempos that approach the speed of sound, you need to find a right-hand position that provides a stable foundation for the thumb and fingers to do all that unimaginably rapid picking. Relaxation is key to great right-hand bluegrass technique, so remember to constantly check for tension from your shoulder to your fingertips as you work through the following steps to find a comfortable right-hand position (also refer to Bluegrass Banjo: Right-Hand Position).