Piano & Keyboard All-in-One For Dummies
Book image
Explore Book Buy On Amazon

When the singer needs a good intro, who’s going to play it? The drummer? Probably not. You are. A piano or keyboard intro is a great addition to a song. And it can’t be any old intro — it’s gotta be good. The audience has a tendency to talk between songs, so it’s your job to shut ’em up and announce the start of the new song.

The “Get Ready, Here We Go” intro

<a href="https://dummies-wp-admin.dummies.com/WileyCDA/Section/id-821329.html">The &#147;Get Ready, Here We Go&#148; intro</a>

This intro is bound to grab the audience’s attention. It has been used in just about every style of music, from vaudeville to ragtime to Broadway. Hear it once and you’ll never forget it. Play it and you’ll be hooked. Just keep repeating the measures between the repeat signs, or vamp, until you’re ready to start the melody.

The “Rockin’ Jam” intro

<a href="https://dummies-wp-admin.dummies.com/WileyCDA/Section/id-821330.html">The &#147;Rockin’ Jam&#148; intro</a>

You can knock some socks off with a rock and roll intro like this one. The triplets are tricky, but you can play this one fast or slow. A slower-tempo version works well with a blues song, and a fast version is good for … well, a fast rockin’ song. This intro also contains grace notes.

The “Sweet Ballad” intro

<a href="https://dummies-wp-admin.dummies.com/WileyCDA/Section/id-821331.html">The &#147;Sweet Ballad&#148; intro</a>

When a slow ballad is next on the set list, this intro works well. The left-hand part sets up a root-fifth-octave pattern. The right-hand part makes use of parallel sixths, moving sweetly down the scale.

The “Killing Time” intro

<a href="https://dummies-wp-admin.dummies.com/WileyCDA/Section/id-821332.html">The &#147;Killing Time&#148; intro</a>

Sometimes you need to repeat an intro over and over. Perhaps you’ve forgotten the melody. Perhaps you’re waiting for divine inspiration. Or maybe you’re waiting for the singer to decide to join you. Whatever the case, you can easily repeat an intro like this one until the time comes to move on.

Simply play the first four measures over and over until you’re finally ready. You’re simply vamping on a G7 chord, which leads you (and the preoccupied singer) into the key of C when you’re both ready.

The “Saloon Salutations” intro

<a href="https://dummies-wp-admin.dummies.com/WileyCDA/Section/id-821333.html">The &#147;Saloon Salutations&#148; intro</a>

When you’re just tinkering around in a piano lounge, perhaps all you need is a few bars of honky-tonk style piano. Notice how effective the grace notes (measure 1) and tremolos (measure 2) are in this intro.

About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

This article can be found in the category: