Piano & Keyboard All-in-One For Dummies
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Major chords are the most frequently used in piano or keyboard playing. They are the most familiar, and easiest triads to play. It’s a good bet that most folk and popular songs you know have one or two major chords.

You make major chords with the notes and intervals of a major scale. You build a major chord by starting out with a root note and then adding other notes from the desired chord’s scale. For example, suppose you want to build a G major chord.

Play the root note G and add the third and fifth notes (or third and fifth intervals) from the G major scale on top of the root note.

Major chords are so common that musicians treat them as the norm. These chords are named by just the root, and musicians rarely say “major.” Instead, they just say the name of the chord and use a chord symbol written above the staff to indicate the name of the chord.

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Use fingers 1, 3, and 5 to play major chords. If you’re playing left-hand chords, start with LH 5 on the root note. For right-hand chords, play the root note with RH 1.

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To play a song with left-hand major chords, try “Down by the Station” found in Book III, Chapter 6, Audio Track 61.

About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

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