Bass Guitar For Dummies
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Creating a fitting groove to a song is what bass guitarists do most often. It’s also the most complex accompaniment technique and could fill an entire book. But, since you don’t have time for that, check out these quick tips. All you have to do is choose the style of the groove and decide whether to make your groove bold or blending.

Playing grooves works best when the song doesn’t have a lot of fast-moving chord changes. You can exploit a groove most effectively when staying on one chord for a while. Make sure your groove stays fairly consistent throughout the song and that all the chords relate to each other…in a groovy fashion.

Paul McCartney’s groove style is well represented in “Come Together” (one of the most famous bass grooves in history), “Ob-La-Di, Ob-La-Da,” and “Lady Madonna.” Other tunes that use this groove style include a fabulous version of “Wild Nights” by John Mellencamp (with the fabulous Me’Shell Ndegeocello on bass) and the Eagles’ “Hotel California” — and don’t forget Elvis’s “Hound Dog.”

Check out this song that uses one groove that moves with the changing chords.

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Play along with the song and come up with your own.

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About This Article

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Patrick Pfeiffer is a professional bassist, bass educator, and composer. His former clients include Polygram, Red Ant Records, Arista Records, and other major labels as well as Adam Clayton of U2. He has recorded with George Clinton, Phoebe Snow, Jimmy Norman of the Coasters, Paul Griffin and Bernard Purdie of Steely Dan, and many other stars.

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