Michael Pilhofer

The key to making good, accurate jumps on the piano or keyboard is the same whether the jump is big or small: Maintain a comfortable, balanced hand position as you jump from the starting hand position across the keyboard to your landing destination. Jumping with an overextended pinky and your hand outstretched like the descent of a giant hawk upon its prey is very common.

You can use the pedal on the piano or keyboard to achieve different effects with your musical sound and add a whole new dimension to your playing. Give these exercises a try for some practice.Uniform Pedal Changes on One LineAlthough changing the pedal with the change of harmony is a general rule, change it more frequently when you’re also playing a melodic line.

To expand your piano expertise, you should try some broken chord exercises. Broken-chord patterns are common in accompaniment figures and can help make you a well-rounded player. Check out these four patterns found in a wide range of styles.Alberti bass exerciseThe Alberti bass is common in classical-style accompaniments.

When the singer needs a good intro, who’s going to play it? The drummer? Probably not. You are. A piano or keyboard intro is a great addition to a song. And it can’t be any old intro — it’s gotta be good. The audience has a tendency to talk between songs, so it’s your job to shut ’em up and announce the start of the new song.

The band is building up to the final chord, and it’s time for the big finish. Why not add a little piano or keyboard as a finale? The singer belts the last lyric, and it’s up to you to drop the curtain. Quick! Grab a handful of these finales and you’re sure to receive an encore request.The “I Loved You, You Left Me” finaleThe “I Loved You, You Left Me” finale">This finale is a simple but effective ending, perhaps even a tear-jerker when played with the right emotion.

If there’s one particular music style that embraces all that the piano can do, it’s jazz. Celebrated by many as America’s greatest art form, jazz is king when it comes to interesting chord harmonies, changing rhythms, and improvisation. Legendary jazz pianists like Bill Evans, Art Tatum, Bud Powell, and many others have taken these elements and added them to classic songs to make them a little more jazzy.

How can you expand your keyboard music with features already included? Modern arrangers have a number of other cool features that help your playing sound fuller and fancier without any extra work on your part. Adding harmony to your melodies Block chords is a style of playing right hand melodies where the melody is harmonized with additional notes below it to form full chord voicings, using smooth voice-leading.

Here, you can see the two most common pedaling indications. On your piano, press the pedal down at the “Ped.” sign, and release (pedal up) at the asterisk or at the bracket ending the line. These indications are always shown below the bass staff. The notch in the line indicates where to change the pedal, quickly clearing any sustained sound (pedal up) and resetting the sustain (pedal down).

The concept of using auto-accompaniment is simple: You play some notes on the lower range of your keyboard, and that tells the system to start playing some backing music in the key you gave it. You choose the style of music it plays from the choices presented on the front panel. The result is the sound of a full band playing, giving you a professional backing track that you’re in complete control over.