Dave Hunter

Have you grown bored with the way your guitar sounds? You don't have to buy a new guitar, amp, or effects pedal to craft a fresh sound as long as your existing equipment is serviceable and of a decent quality. Try these simple ways of mixing things up a little: If you're in the habit of playing on one pickup all the time, switch to a different one, adjusting your amps to suit, if necessary.

Every guitarist seeks to produce an expressive and distinctive tone, but trying to figure out what kind of gear you need to create your sound can be baffling.This Cheat Sheet explains the three main equipment categories that comprise your music-making rig: your electric guitar, guitar amps, and effects pedals and units.

Several woods have been used to construct electric guitar bodies over the decades. The four described in the following discussions are by far the most classic, appearing in the seminal designs of the 1950s and ’60s and continuing to be used today.MahoganyMahogany is a rich, warm-sounding tonewood with good depth.

The signal chain that works to create any electric guitar sound is made up of several major building blocks, each of which has lots of smaller building blocks within it. These main ingredients that influence your sound include your guitar, any effects pedals you use, and your amp.Electric guitarIn addition to being a musical instrument in the pure sense, your electric guitar is a signal generator: It produces the small electrical signal that carries the “sound” of your playing all the way to an amplifier.

Every guitar’s neck plays partner in anchoring the strings, so the wood it is made from plays a part in the instrument’s sound, in tandem with the wood and construction of the body. Many of the woods used for guitar necks are also, unsurprisingly, those used in their bodies.RosewoodRosewood is commonly used for fingerboards on necks made from maple, mahogany, and Korina.

Occasionally dwindling supplies of some of the more traditional guitar tonewoods — a situation that has affected guitar makers for decades, although more dramatically in recent years — has sent many manufacturers in search of alternatives. Others have turned to different woods simply to yield the different looks and sounds they afford.

As with so many things in the guitar world, the vast majority of control and switching layouts used today follow what was employed by one or another classic make and model dating back to the ’50s and ’60s. For that reason, a quick perusal of these templates familiarizes you with the majority of what you find on guitars hanging on the store walls today.

Humbucking pickups take their colloquial name from the fact that they’re designed to reject hum that can be induced from electrical sources. They can also be called double-coil pickups (as opposed to single-coil pickups), because they achieve this noise reduction by pairing together two coils wound in opposite directions.

As important as striving for your own sound as a guitarist is, you often make your way there via the tones of other great players, past and present. Here, you explore the elements behind the signature sounds of ten of the world’s most distinctive guitarists. Jazz incarnate: Wes Montgomery Although jazz legend Wes Montgomery owned several different archtop guitars during his career, he is probably best known for the following setup: Guitar: Gibson L-5CES: A hollowbody electric with a carved arched solid-spruce top and solid maple back and sides, maple neck with an ebony fingerboard, floating bridge and trapeze tailpiece, and one humbucking pickup in the neck position.