Piano & Keyboard All-in-One For Dummies
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Psalteries, virginals, clavichords, and harmoniums are acoustic keyboards. Honestly, you don’t need a list of pros and cons for these very rare instruments. If you find one and can’t live without it, go ahead and purchase it.

Pianos, harpsichords, and pipe organs are also acoustic keyboards. These pros and cons focus on acoustic pianos because they’re the most commonly purchased acoustic keyboards.

Pros

The following characteristics are real selling points for an acoustic piano:

  • Sound quality: No matter how good a digital keyboard is, it doesn’t match the sound and feel of a grand piano — or even an upright piano.

  • Value: Good-quality acoustic pianos appreciate in value over the years if kept in good condition. You can think of your purchase as an investment.

  • Aesthetics: There’s nothing like playing an acoustic piano. It feels real, it looks great, and you can imagine yourself on a concert stage.

Cons

Here are valid concerns about acoustic pianos:

  • Cost: Plain and simple, new and even used pianos are generally more expensive than new digital keyboards.

  • Size and space: Get practical and think about whether you have room to house the piano and play it. You should also measure the doorway while you’re at it to make sure you can even get the piano where you want it.

  • Maintenance: Annual or semiannual tuning at a cost of around $75 to $150 per tuning isn’t cheap, but it’s essential.

About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

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