Piano & Keyboard All-in-One For Dummies
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If you want to play keyboard or piano, you will need to have a firm grasp of bar lines. In addition to horizontal staff lines, music employs some vertical lines to help you keep track of where you are in the music, sort of like punctuation in a written sentence.

A bar line divides music into measures or bars, breaking up the musical paragraph into smaller, measurable groups of notes and rests. Measures help organize both the writing and reading of music for the composer and the performer.

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Be prepared to see a few other types of bar lines in piano music. They give you directions on how the music is structured, when and where to repeat, and when to stop. Following are the names of the five types of bar lines and details on what they tell you to do:

  • Single: Go on to the next measure.

  • Double: Proceed to the next section (because you’ve reached the end of this one).

  • Start repeat: Repeat back to this measure.

  • End repeat: Repeat back to the measure that begins with a start repeat (or to the beginning if you don’t see a start repeat).

  • Final: You’ve reached the end! Stop playing!

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About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

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