Exploring the AABA Form in Songwriting
The song form known as AABA was the form of choice in the first half of the 20th century. It's still used today in songwriting, but has fallen off in popularity. However, it's good to know this form because you never know when it'll be the perfect fit for the song you are writing.
Examining the AABA form
In the AABA form, the A sections are the versesections, and the B section is a bridge. In other forms, B represents whatever section comes second in the song. The title is usually placed either in the first or the last line of each verse and is in the same place each time it comes around.
The bridge is a section that provides a contrast to the verse sections by using different chords, a different melody, and sometimes a shift in the focus in the lyrics. It provides an interlude between verses, which can be very effective if it's done well.
In the classic AABA song, the A sections are usually 8 bars in length and constitute the main melody of the song. Each of the three A sections has a different set of words, although the last verse section can be a repeat of the first, as is the case in the song "Monday, Monday" performed by The Mamas and The Papas (written by John Phillips). In fact, all three verses can be the same, as in John Lennon and Paul McCartney's "Do You Want to Know a Secret?" But these are exceptions to the rule and you won't find many songs that repeat verses like that. Songwriters usually compose three separate sets of lyrics for the verse sections of the AABA form.
The AABA form continues to be used today in many styles of music — country, gospel, Christian, pop, jazz, theatre, and film — but not as often as it once was. The form can be used to provide a very effective emotional satisfaction: The first two verses establish the main melody of the song, and then when the bridge is sung, it provides a different feeling because of its contrasting quality. Thus, the return to the last verse provides an emotionally satisfying return to what was presented before.
There are always exceptions to every rule — that's what makes life (and songs) interesting. Some AABA songs don't introduce the title in the first or last line of each verse. "The Christmas Song" (written by Mel Torme and Robert Wells) is an example of this. Everyone knows this song ("Chestnuts roasting on an open fire. . . ."), but the title, "The Christmas Song," does not appear in the lyrics at all (because the title describes what the song is about and it's not a phrase that would sound good in the song itself.)
Another example of a different placement for the title is George Gershwin and Ira Gershwin's famous song "I Got Rhythm." The title appears at the beginning of the first verse, and then gets transformed in the next two verses. In the second verse it becomes "I got daisies," and in the third verse, it's "I got starlight." This is a great trick, the same one used by songwriter Jimmy Webb in "By the Time I Get to Phoenix." Take note of it — you may want to do the same thing in a song of your own someday.
A real classic, "Over the Rainbow," was sung by Judy Garland in the film The Wizard of Oz. This is a great example of an AABA song with an added section at the end called a coda. The verses have a flowing feeling to them with the expansive quality of the words ("Somewhere over the rainbow, bluebirds fly"). This is perfectly contrasted by the quick movement of words in the bridge ("Where troubles melt like lemon drops away above the chimney tops"). The bridge provides a perfect interlude between the second and third verses.
The following list includes songs written in the AABA song format. Table 1 shows some great songs for you to explore in order to discover more about the form.
Table 1: AABA Song Examples
Song title
| Songwriter(s)
| Singers/Performers
|
"Something"
| George Harrison
| The Beatles
|
"Blue Moon"
| Richard Rodgers, Lorenz Hart
| Chris Issak, Willie Nelson, and many artists
|
"Save the Last Dance for Me"
| Doc Pomus, Mort Shuman
| The Drifters
|
"Just the Way You Are"
| Billy Joel
| Billy Joel
|
"Will You Still Love Me Tomorrow?"
| Carole King, Gerry Goffin
| The Shirelles
|
The extended AABA form
Beginning in the 1960s, some songwriters began using an extended version of the AABA form, called the AABABA. This is merely the AABA form with an additional bridge and a final verse. This final verse may be a repeat of a previous verse or even just a part of one of the previous verses.
John Lennon and Paul McCartney's song "Yesterday" uses an extended AABA form. The title appears as the first line in each verse except for Verse 2, where the word suddenly is used instead. The title also appears in the last line of each verse, and in the last line of the bridge, and the final verse is just a repeat of Verse 3.
This AABABA form is also used in other Beatles songs (written by John Lennon and Paul McCartney), including the following:
- "I'll Follow the Sun"
- "I Want to Hold Your Hand"
- "Hey Jude"
- "Hard Day's Night"
- "Long and Winding Road"
- "I Call Your Name"
Things get a little more complicated in a few of McCartney's songs. "Michelle," for example, has a form of AABABABA. The fourth verse is not sung but is instead played as an instrumental. The words in the second verse are repeated in the third and fifth verses, so all these verses are the same. All three bridges have different words, however. This is a very unusual and innovative formal structure. Because the formal structures in many of the songs written by McCartney and Lennon are very advanced, you can get a lot out of studying them. (Don't you wish your studies in school were this much fun?)

Guitars Glossary
12/8 groove
The slowest blues pattern in which the bass note plays on beats one and three and the chords play on beats two and four.

Guitars Glossary
12-bar blues
By far the most popular form for the blues, created by following a 12-bar blues pattern of three lines per verse, with the first line repeated.

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7th chord
A chord created from the altered or unaltered first, third, fifth, and seventh notes of a scale; 7th chords have a complex, bluesy sound.

Guitars Glossary
accent
A musical notation (>) indicating that a note should be played louder than the rest of the notes.

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accidentals
A musical notation indicating that a note should be played a half or whole step higher or lower; accidentals include flats (b), double flats (bb), sharps (#), double sharps (x), and naturals.

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acoustic-electrics
A type of hybrid guitar that is an acoustic guitar with built-in pickups and electronics.

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active electronics
Electric guitar electronics that have a built-in power source.

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alternate picking
A combination of upstrokes and downstrokes that enables the guitarist to play faster and is the key for playing fast leads smoothly.

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alternation
A musical pattern in which you alternate between playing the melody and bass parts one at a time instead of at the same time.

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arpeggio
The notes of a chord played one after the other instead of simultaneously.

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articulation
The way in which a musician plays and connects notes to create a distinct tonal quality, as well as distortion of the tone.

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attack
The initial distinguishing sound of a note.

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backphrasing
A rhythmic alteration in which the melody falls behind the beat.

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ball
The thick ring at one end of a guitar's steel string.

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bar line
The vertical lines that separate music into measures.

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bar; measure
A basic unit of musical time containing a specific number of beats.

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barre
The combination of notes that sound when a guitarist presses down two or more strings at once with a single left-hand finger.

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barre chords
A type of chord that has only fretted notes and is able to move to any position on the neck of your guitar.

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bass bout
The lower, wider part of the body of a guitar.

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beam; ligature
In musical notation, a beam can be used to connect a group of notes (eighth notes or shorter) that would normally each be flagged.

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bend
A guitar effect in which a note's pitch is raised by stretching the ringing string while it is sounding.

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bend and release; bend in rhythm; measured bend
A bending effect in which a note is played, then bent without repicking, and then returned to its original tone (unbent) without repicking.

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Bo Diddley beat
A popular R&B rhythm that uses left-hand muting, syncopated strumming, scratches, and sounded notes to create an implied syncopation effect.

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boom-chick pattern; cut shuffle
A rhythm pattern created by alternating notes and chords.

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boost
An amplifier control that you can use to create a distorted or lead sound.

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bourrée
A 17th-century French up-tempo dance.

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breaking angle
The angle that is created by the string and the tuning post when a string winds down the tuning post; the sharper the angle, the more sustain is produced.

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bridge
1. A contrasting section of music that is used to separate similar sections. 2. The plate that anchors the strings to the body of a guitar.

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bridge springs
A set of metal springs that pull a floating bridge in the opposite direction of the strings, thereby holding the bridge in balance.

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brightness
The clarity of sound produced.

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buzzing
A usually unwanted distortion of a guitar sound created when a string vibrates against the fret wire.

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capo
A device that clamps down across the fingerboard of a guitar at a particular fret to shorten the length of all the strings at the same time, forcing the strings to play in higher pitches than they normally do.

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Carter-style picking
A popular folk guitar picking style — named after the famous Carter family — in which the melody is played on the low strings with the thumb while the fingers provide an accompaniment in the form of brushes.

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chord
A chord is produced when three or more notes are played simultaneously.

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chord progression; harmonic progression
A string of changing chords.

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chord-melody style
A musical style — frequently used in jazz solos — that incorporates both the melody and chords of a song.

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chorus unit
An amplifier effect that makes your guitar sound like two guitars being played together.

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circle of fifths
A tool used by musicians to determine the relationship between major and minor keys.

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common time
A specific time signature (4/4 time) that indicates four beats in each measure, with the quarter note equalling one beat.

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common tones
Notes that appear in two or more consecutive chords.

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contrapuntal style; counterpoint
A musical style — used frequently in classical guitar music — in which you play two or more simultaneously.

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contrary motion
In musical notation, when one musical line ascends while the other descends.

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cut shuffle; boom-chick pattern
A rhythm pattern created by alternating notes and chords.

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cut time
In musical notation, a symbol —a C with a vertical line cutting it in half — that tells you to count the half note as one beat instead of the usual quarter note.

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dampening; muting
A silencing effect created by touching strings to prevent them from ringing out clearly.

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decay
Part of an instrument's tone color that is heard in the final part of the played note.

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desiccant
A powder or crystal substance that draws humidity out of the air, lowering the local relative humidity level.

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distortion
A guitar effect that produces a fuzzy sound, as if the signal was too powerful for the amp.

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dominant 7th chords
A chord built from the first, third, fifth, and flatted seventh note of a scale. In a major scale, a seventh chord built from the fifth note of the scale is naturally a dominant seventh chord.

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double-stop
The fretting and playing of two strings simultaneously.

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doubling
A technique for creating power chords by playing the same notes in different octaves on different strings.

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downstrokes
1. A musical notation often shaped like an open-bottomed box that indicates that the note or chord should be played with a downward motion of the pick. 2. Dragging your pick (or thumb) across the strings toward the floor as you play.

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dynamics
The volume at which notes are played.

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eighth notes
A musical notation (a solid oval head with a stem and a flag or beam) indication a note that is half as long as a quarter note.

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electronic tuner
A battery-powered device used to tune instruments.

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end pin
The metal post where the back end of the strap connects. On acoustic-electric guitars, the pin often doubles as the output jack.

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fifth-fret method
A method of relative tuning whereby you tune a guitar based on the pitch of a single string, usually the lowest one.

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finger permutations
An exercise used to train the left hand for fingering and to build up finger independence.

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fingerboard diagram
A type of guitar notation that indicates where to place your fingers on the neck of the guitar.

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fingerboard; fretboard
The flat piece of wood embedded with frets that you position your left-hand fingers on to produce notes and chords.

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fingerpicking; finger-style playing
A type of guitar playing that involves using the individual right-hand fingers in a way in which the thumb plays the bass strings and the fingers play the treble, or high, strings.

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finger-style playing; fingerpicking
A type of guitar playing that involves using the individual right-hand fingers in a way in which the thumb plays the bass strings and the fingers play the treble, or high, strings.

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flamenco
A musical style that originated in Spain and was designed to accompany flamenco dancing.

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flat
1. When a string sounds out at a lower pitch than it should. 2. A note that is played one fret lower than the note is on the musical staff. 3. An accidental (b) indicating that a note should be played a half-step lower than indicated.

Guitars Glossary
floating bridge
A type of bridge held in place by the string tension (which pulls it one way), and a set of bridge springs.

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Floyd Rose bridge
The most successful form of floating bridge — a movable bridge system that uses a locking nut to ensure that the bridge returns to its home position — was designed for guitarists who like to use the whammy bar extensively.

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free stroke
A right-hand stroke — used in classical and folk guitar playing — in which you pluck a string at a slightly upward angle so that your finger comes to rest freely in the air.

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fret
1. The thin metal wire or bar that runs across the fretboard at specific intervals. 2. The place on the fretboard where you position your finger to produce different pitches.

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fretboard; fingerboard
The flat piece of wood embedded with frets where you position your left-hand fingers to produce notes and chords.

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fretted note
A note produced by pressing your finger over the string at a specific point on the fretboard.

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funk
A musical style that is very busy and relies heavily on sixteenth notes.

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glissando
A musical effect wherein all the notes between two principal notes sound.

Guitars Glossary
guitar humidifier
A saturated rubber-enclosed sponge that clips onto the inside of the sound hole or is kept inside the case to raise the humidity level.

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guitar notation
A form of musical notation that contains the information of most importance to the guitarist: fingerboard diagrams and tablature.

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guitar polish
A liquid polish designed specifically for cleaning and polishing a guitar.

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half notes
In musical notation, the half note has a hollow oval head with a stem; it lasts half as long as the whole note, or twice as long as a quatrter note.

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half step; semitone
In musical notation, the smallest difference between two pitches.

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hammer-on
A guitar articulation technique in which you sound a note by fretting a string with enoungh force to make the string vibrate.

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handspan-plus-two-frets method
A method of finding the same notes in different places on the fretboard of a bass guitar.

Guitars Glossary
harmonic minor scale
A musical scale created by lowering by a half-step the third and sixth notes of a major scale.

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harmonics
Notes that sound naturally on a string when you lightly touch it at certain points and then strike it with your right hand.

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headstock
The part of the guitar that holds the tuning machines.

Guitars Glossary
hygrometer
An inexpensive device that tells you the relative humidity of a room with a good degree of accuracy (close enough to maintain a healthy guitar, anyway).

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impulsive decay
A type of note decay in which the tone produced begins to fade as soon as the next note is played.

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intervals
The gap between musical notes, which are measured in half steps and whole steps.

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intonation
The accuracy of the pitches produced by fretting.

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key
The main tonality, or organization of the pitches, of a piece of music.

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key signatures
In musical notation, a grouping of symbols (sharps or flats) that tells you to always play certain notes one semitone higher or lower.

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legato
An articulation designation meaning that notes should be played smoothly and flowingly.

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legato slide
Playing a note at one fret and then, withoug repicking the string, sliding your finger to a different fret while maintaining pressure on the string.

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lick
A short melodic phrase — a solo is a succession of licks.

Guitars Glossary
ligature; beam
In musical notation, a ligature can be used to connect a group of notes (eighth notes or shorter) that would normally each be flagged.

Guitars Glossary
major chord
A chord built on the unaltered first, third, and fifth notes of a major scale.

Guitars Glossary
major pentatonic scale
A five-note scale based on a major scale, but without the fourth and seventh notes.

Guitars Glossary
measure; bar
A basic unit of musical time containing a specific number of beats.

Guitars Glossary
melodic minor scale
As its name suggests, this scale is used for melodic, as opposed to harmonic, content. Ascending, the melodic minor scale is the same as a major scale but with the third note lowered one half-step; descending, it's the same as a natural minor scale with a lowered third, sixth, and seventh scale step.

Guitars Glossary
metronome
A mechanical or electronic devices that emits clicks or beeps at regular, precise time intervals; used to help practicing musicians maintain a constant tempo.

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microtonal
Referring to sounds that exist between consecutive half steps.

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mini-barre
Fretting two or three strings, but not all of them, with a single finger.

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minor chord
A three-note chord in which the second note is three half-steps above the first note (the root of the chord), and the third note is four half-steps above the second note — the unaltered first, third, and fifth notes of a minor scale.

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minor pentatonic scale
A five-note scale based on a minor key.

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motive
A short musical phrase that you repeat.

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music theory
A way to explain and describe the music we hear.

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musical notation
A written form of music used to convey the music we hear in a way that can be repeated by musicians.

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musical scale
A series of notes within a single octave that follows a specific pattern.

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muting; dampening
A silencing effect created by touching strings to prevent them from ringing out clearly.

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natural minor scale
A musical scale created either by lowering by a half-step the third, sixth, and seventh notes of a major scale or by playing an octave of a major scale starting on the sixth note (for instance, playing from A to A in the key of C major).

Guitars Glossary
neck
The long wooden piece that connects the headstock to the body of a guitar.

Guitars Glossary
note flag
In musical notation, the little line that comes off the top or bottom of the note stem, indicating note lengths shorter than a quarter note.

Guitars Glossary
note stem
A note stem is the vertical line attached to the note head.

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notehead
In musical notation, the round part of a note.

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nut
The grooved section between a guitar's neck and its headstock through which the strings pass.

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oblique motion
In musical notation, when one musical line ascends or descends, while the other continues or repeats the same note.

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octave
Twelve half-steps, from one note to the next note of the same name.

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octave mark
Two dots that appear on many guitars at the twelfth fret used to signify the octave.

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octave method; two-frets method; two-strings method
A method of finding the same notes in different places on the fretboard.

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open chords; open-position chords
Chords that contain open (non-fretted) strings.

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open position
A combination of all the open strings plus the notes in the second position on a guitar.

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open string
A string that is not fretted.

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open-position chords; open chords
Chords that contain open (non-fretted) strings.

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output jack
The insertion point for the cord that connects the guitar to an amplifier or other electronic device.

Guitars Glossary
palm mute; P.M.
A dampening technique in which you anchor the heel of your right hand against the strings just above the bridge.

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pick
A small triangular piece, about the size of a quarter, used to strum the strings on a guitar.

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pick-strum patterns
A rhythmic pattern that adds variety to the music by separating the bass and treble lines so that they play independently.

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pick-style playing
A type of guitar playing that involves dragging a pick across the strings to produce sound.

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pickup selector
A switch that determines which pickups are currently active.

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pickups
Bar-like magnets that pick up the vibrations of an electric guitar's strings and transmit those signals to the amplifier.

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pinch harmonics
An artificial harmonic created by simultaneously striking the string with a pick and the tip of your right thumb.

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pitch
The specific wavelength frequency of a musical sound indicated as a letter from A to G with or without a sharp (#) or flat (b).

Guitars Glossary
pitch pipe
A device that produces a single specific pitch, used as a reference to tune a guitar.

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playing in position
A way of playing the guitar in which your left hand remains in a fixed location on the neck of the guitar.

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plectrum
Any artificial device used to pluck or strum the strings of a guitar.

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portamento
A smooth, continuous change in pitch often created by using a slide.

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position
On the guitar, a position is a group of four consecutive frets.

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pots
The electronic capacitors connected to the other side of a volume knob.

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power chord
A chord consisting only of roots and fifths.

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prebend and release
A bending effect that is created when you stretch a string before you strike it, then strike the string, and then release the bend.

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pull-off
A guitar articulation technique in which a string is played by a fretting finger as it is released from a fret.

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quarter note
In musical notation, the quarter note has a solid oval head with a stem; it lasts half as long as the half note.

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raking
Striking a string with one finger and then striking the next lower string with the same finger.

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relative tuning
A way of tuning the guitar to itself so that you don’t need any outside reference pitch.

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repeat sign
In musical notation, a combination of one thick and one thin vertical line with two dots that tells you that you repeat some portion of the song.

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rest
Any time during a musical piece in which no notes are being sounded.

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rest stroke
A right-hand stroke — unique to classical music — in which you pluck straight across (not upward) the strings so that your finger lands, or rests, against the adjacent lower-pitched string.

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rhythm
A regular pattern of beats or pulses in music.

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rhythm slashes
An indicator in guitar notation that uses slash marks (/) that tell you how to play rhythmically but not what to play.

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rollers
The tuning posts on a nylon-string guitar that uses a slotted headstock.

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rubato
Musical phrasing and timing that is governed by the musician's musical ideas instead of by the strict adherence to a set tempo.

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saddle
The moving metal part of the bridge of an electric guitar that have grooves for the strings to lie across.

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scale
A series of notes in ascending or descending order that presents the pitches of a key, beginning and ending on the tonic of that key.

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semitone; half steps
In musical notation, the smallest difference between two pitches.

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seventh-fret method
A method of relative tuning whereby you tune the bass guitar using the pitch played on the seventh fret as the comparison note.

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sharp
An accidental indicating that a note should be played a half step higher than originally indicated.

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shifting
The act of moving your fretting hand's position to reach a note.

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shuffle feel
An important rhythm feel that has a lilting eighth-note sound — created by dividing the beat into two unbalanced halves, a long note followed by a short — that is used extensively in rock guitar.

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simile; sim.
In musical notation, an indication that you should continue articulating the notes in a similar manner.

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sixteenth note
In musical notation, the sixteenth note has a solid oval head with a stem and either two flags or two beams; it lasts half as long as the eighth note.

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slide
1. A tool (often made of glass) that you can use to slide along the strings while strumming to produce a smooth sliding sound. 2. An effects technique in which you slide your fingers (or an actual slide tool) up the strings while you play.

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slotted headstock
The tuning machine on a nylon-string guitar in which rollers around which the nylon strings are wound are contained within the headstock, as opposed to sticking out above the headstock.

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smack; slap
Sounding a note by hitting the strings with your open right hand or closed right fist.

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sound hole
The opening on the top of an acoustic guitar that amplifies the guitar's sound.

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staccato
A type of short, separated articulation.

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staff
In musical notation, the five horizontal, parallel lines on which notes and rests are written.

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stompboxes
An effects unit that is controlled by a foot pedal.

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strap pin
The metal post where the front, or top, end of the strap connects.

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string retainers
Little rollers or channels screwed into the top of the headstock that pull the top two or four strings down low onto the headstock.

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strum
Dragging a pick or the back of your fingernails across the strings in a single, quick motion.

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sustain
1. (noun) The length of time that a note rings out. 2. (verb) The act of making a note ring out for an extended length of time.

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sustained decay
A type of decay in which a note continues to sound steadily as long as the note is still being played.

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swing
A musical style based on the triplet feel in which the beat is divided into three equal units.

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syncopation
Striking a note (or chord) at an unexpected time.

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tablature; tab
A form of guitar notation that shows you which strings to press at which frets for each note.

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tempo
The speed at which the beat of piece of music is played.

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tensility
A string's ability to hold tension and thereby hold a certain pitch.

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thumb rest
A plastic or wood bar on a bass guitar on which to rest your thumb.

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tie
In musical notation, a tie tells you not to strike the second note of the two tied notes, but to let the note ring out for the duration specified by the two tied notes.

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timbre
Part of the tone color of an instrument that distinguishes its sound from that of another instrument.

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time signature
The fraction-like figures at the beginning of a piece of music that tell you how many beats are in a measure and which note value gets one beat.

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tone color
The character of sound produced by an instrument; made up of three basic components: decay, timbre, and attack.

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transpose
To change the key in which a progression is played.

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Travis Picking pattern
One of the most popular folk guitar techniques; created by varying the timing that you use to hit the treble strings.

Guitars Glossary
tremolo bar; whammy bar; vibrato bar; wang bar
The metal rod attached to the bridge that can be used to move the bridge back and forth to change the string tension.

Guitars Glossary
triads
Simple chords composed of three notes.

Guitars Glossary
triplet feel
A musical pattern wherein the beat is subdivided into three equal units instead of the usual two.

Guitars Glossary
truss rod
The adjustable metal rod that runs the length of a guitar’s neck that controls the curvature of the neck and fingerboard.

Guitars Glossary
truss rod wrench
A tool specifically designed for adjusting a specific truss rod.

Guitars Glossary
tube amp
A type of guitar amplifier that uses vacuum tube technology.

Guitars Glossary
tuners; tuning heads; tuning machines
The mechanisms in the headstock that raise and lower the tension of the strings, drawing them to different pitches.

Guitars Glossary
tuning fork
A device that produces a single specific reference pitch.

Guitars Glossary
tuning pegs; tuning gears; tuning posts
The round post connected to a tuning head around which the strings are wound and that can be adjusted to define the pitch of the string.

Guitars Glossary
upstroke
1. (noun) In musical notation, upstrokes (often indicated by a V-shaped symbol) indicate that the sound should be made by dragging your pick or your right hand across the string in an upward motion. 2. (verb) Producing sound by dragging your pick or your right hand across the string in an upward motion.

Guitars Glossary
vibrato
A fluctuation in the pitch of a note that can be created on guitar by repeatedly bending and unbending a note.

Guitars Glossary
volume pedal
A pedal inserted between the electric guitar and the amp that lets you control how loud your electric guitar sounds.

Guitars Glossary
walking bass line
A bass guitar technique in which a new note is played on every beat of music.

Guitars Glossary
world beat
A musical style that uses rhythms that are relatively common to South America, Africa, and the Caribbean.