Character Arcs for Your Children's Book

By Lisa Rojany Buccieri and Peter Economy from Writing Children's Books For Dummies, 2nd Edition

A character arc is just a simple visual tool to help you chart out your children's book character’s development. Her driving desire must be made clear from the start.

The changes your main character makes in her life can be drawn into this arc so you can see how she drives the action as the story starts, then something occurs that requires action, then her plight reaches a climax, and finally she heads toward resolution.

You use a character arc by assigning different points of your character’s development to the different dots; this helps ensure that your character goes through enough changes and struggles to make her and her story compelling. Here’s a summary of the steps that characters tend to face:

When we first meet your main character her driving desire is made clear (ascent begins), she has something happen to rock her world/challenge her reality (steeply ascending), she has to deal with it (ascending further), she fails (peak), she tries some more and fails (dips then peaks even further), she hits a seeming stalemate (flatline, but not for too long), she figures it out (begins descending), she hits a bump but instead of reverting back to old solution(s) tries out new one (further descending), and she ends a changed and ideally better person after all (fully descended).

Take the old-fashioned story of Cinderella and apply it to the arc shown in the figure:

You first meet your main character her driving desire is made clear (ascent begins):

Cinderella is a happy, well-adjusted girl living a privileged life when her father remarries and brings a stepmother and two sisters into her life — all three of whom detest her. Show Cinderella as sweet and trying to cope, a girl who is confused but still has her father watching her back. Make clear her desire to be considered an equal and equally beloved member of the family.
She has something happen to rock her world/challenge her reality (steeply ascending):

Cinderella’s father dies, leaving the poor girl at the mercy of the merciless stepmother and stepsisters, a veritable black sheep. Cinderella tries to stay her course, but fails to move these women whose abuse of her escalates.
She has to deal with it (ascending further):

Cinderella still uses her same old way of coping (being sweet and working hard to avoid the reality of her situation), but the abuse gets worse.
She fails (peak):

Cinderella fails to stand up for herself, and she ends up a scullery maid in her own home. Time for a change, but is she strong enough?
She tries some more and fails (dips, and then peaks even further):

Cinderella and everyone else in the household are all excited over the upcoming ball and is getting ready to attend. Cinderella again resolves to put a happy face on her situation, but she is thwarted and is unable to attend the ball.
She hits a seeming stalemate (flatline, but not for too long):

The fairy godmother helps her attend the ball. Cinderella rises to the occasion, dazzling all attendees, including the prince, but has to run out of the ball at the last minute, leaving a slipper. So she’s back to where she started: in rags, with no prospects.
She figures it out (begins descending):

Cinderella decides that she is going to get a chance to try on that slipper no matter what her stepsisters, who may suspect her involvement with the prince, say or do.
She hits a bump but instead of reverting back to old solution(s) tries out new one (further descending):

Cinderella gets locked in the cellar when the prince arrives, but instead of accepting her fate with a smile and cleaning even harder, Cinderella alters her driving desire, gets wise, and fashions a way to break out in time.

Eventually, she gets hitched — thus fulfilling her desire to be loved, but creating a chosen family instead of the stinky one she inherited. Wiser and back to her old position and privilege, readers have to see how she uses her power.
She ends a changed and ideally better person after all (fully descended):

Although she could have her stepmother and stepsisters thrown into a dungeon from where they would never ascend (or worse), Cinderella opts to take the higher road and allows them to live.