Guitar For Dummies, 2nd Edition, CD Update

This CD is intended to play on a computer, in an audio CD player, or when downloaded to an MP3 player. Sometimes, though, the tracks play correctly only on a computer or when downloaded to an MP3 player and do not play correctly in an audio CD player.

If your CD is yellow, black, and green and looks like this → then your CD plays correctly on a computer, in an audio CD player, and when downloaded to an MP3 player. You can ignore the rest of these instructions!
If your CD is yellow, black, and red and looks like this → then your CD plays correctly on a computer and when downloaded to an MP3 player but does not play correctly in an audio CD player. Please read on.

If your CD is yellow, black, and red like the above image, tracks play correctly in the order listed in the book when you play this CD on a computer or download the tracks to an MP3 player. However, when you play this CD in a CD player, the tracks are in reverse order from what’s noted in the book, with the exception of Track 1. Track 1, as listed in the book, corresponds to Track 1 when the CD is played in a CD player. However, the book’s Track 2 is actually Track 98 in a CD player; Track 3 is Track 97; and so on. When you play this CD in a CD player, use the following table to navigate to the track you want to hear.

As a shortcut, you can quickly find the CD track without using the table by subtracting the track number found in the book from 100. For example, Track 27 in the book is CD Track 73 (100 – 27 = 73); the book’s Track 84 is CD Track 16 (100 – 84 = 16); and so on.

If the following table doesn’t answer your questions, please contact Wiley Technical Support at http://support.wiley.com or call 800-762-2974.

Download a PDF version of the following table.

Track Number from Text	Actual Track Number When Played in a CD Player	Time	Figure Number from Text	Song Title/Description
1	1		n/a	Tuning Reference
2	98	(0:00)	4-2	Chord progression using A family chords
		(0:16)	4-4	Chord progression using D family chords
		(0:43)	4-6	Chord progression using G family chords
		(1:10)	4-8	Chord progression using C family chords
3	97		n/a	“Kumbaya”
4	96		n/a	“Swing Low, Sweet Chariot”
5	95		n/a	“Auld Lang Syne”
6	94		n/a	“Michael, Row the Boat Ashore”
7	93		5-1	Simple melody
8	92		n/a	“Little Brown Jug”
9	91		n/a	“On Top of Old Smoky”
10	90		n/a	“Swanee River (Old Folks at Home)”
11	89		n/a	“Home on the Range”
12	88		n/a	“All Through the Night”
13	87		n/a	“Over the River and Through the Woods”
14	86		n/a	“It's Raining, It's Pouring”
15	85		n/a	“Oh, Susanna”
16	84		6-6	A 12-bar blues progression in E
17	83	(0:00)	7-4a	1-2-3-1 permutation exercise
		(0:10)	7-4b	1-3-2-4 permutation exercise
		(0:20)	7-4c	15-14-13 permutation exercise
18	82	(0:00)	7-5	C-major up-the-neck double-stop scale
		(0:11)	7-6	C-major across-the-neck double-stop scale
19	81		n/a	“Simple Gifts”
20	80		n/a	“Turkey in the Straw”
21	79		n/a	“Aura Lee”
22	78		n/a	“The Streets of Laredo”
23	77	(0:00)	8-2	Progression using E-based major barre chords
		(0:13)	8-3	Syncopated progression using E-based major barre chords
		(0:27)	8-4	Progression using major and minor E-based barre chords
		(0:41)	8-5	Progression using major and 7th E-based barre chords
		(0:54)	8-6	Progression using major and minor 7th E-based barre chords
24	76		8-7	Christmas song progression using E-based barre chords
25	75	(0:00)	8-11	Progression using A-based major barre chords
		(0:12)	8-13	Progression using major and minor A-based barre chords
		(0:26)	8-14	Progression using major, minor, and dominant 7th A-based barre chords
		(0:42)	8-15	Progression using minor 7th barre A-based barre chords
		(0:55)	8-16	Progression using major and minor 7th A-based barre chords
26	74		8-17	Christmas song progression using A-based barre chords
27	73	(0:00)	8-20	Power chord progression in D
		(0:14)	8-21	Heavy metal power chord progression
28	72		n/a	“We Wish You a Merry Christmas”
29	71		n/a	“Power Play”
30	70	(0:00)	9-1a	Open string hammer-on
		(0:07)	9-1b	Hammer-on from a fretted note
		(0:14)	9-1c	Double hammer-on
		(0:20)	9-1d	Double hammer-on using three notes
		(0:27)	9-2a	Double-stop hammer-on from open strings
		(0:34)	9-2b	Double-stop hammer-on from second to fourth fret
		(0:41)	9-2c	Double double-stop hammer-on
		(0:48)	9-3	Hammer-on from nowhere
31	69		9-4	Single-note hammer-ons from open strings
32	68		9-5	Strumming a chord while hammering one of the notes
33	67		9-6	Single-note hammer-ons from fretted notes
34	66		9-7	Double-stop hammer-ons & hammer-on from nowhere
35	65	(0:00)	9-8a	Open string pull-off
		(0:07)	9-8b	Fretted note pull-off
		(0:13)	9-8c	Open string double pull-off
		(0:20)	9-8d	Fretted note double pull-off
		(0:27)	9-9a	Double-stop pull-off to open strings
		(0:34)	9-9b	Double stop pull-off from fretted notes
		(0:41)	9-9c	Double double-stop pull-off
36	64	(0:00)	9-10	Single-note pull-offs to open strings
		(0:10)	9-11	Strumming a chord while pulling off one of the notes
37	63	(0:00)	9-12a	Slide with second note not picked
		(0:07)	9-12b	Slide with second note picked
		(0:12)	9-13a	Ascending immediate slide
		(0:17)	9-13b	Descending immediate slide
38	62		9-14	Chuck Berry-like slides
39	61		9-15	Changing positions with slides
40	60	(0:00)	9-17a	Immediate bend
		(0:06)	9-17b	Bend and release
		(0:13)	9-17c	Prebend and release
41	59		9-18	3rd-string bending in a rock 'n' roll progression
42	58		9-19	2nd-string bending in a lead lick
43	57		9-20	Bend and release in a lead lick
44	56		9-21	Bending in different directions
45	55		9-22	Intricate bending lick
46	54		9-23	Double-stop bend and release
47	53	(0:00)	9-24a	Narrow vibrato
		(0:10)	9-24b	Wide vibrato
48	52	(0:00)	9-25a	Left-hand muting
		(0:08)	9-25b	Right-hand muting
49	51		9-26	Syncopation through muting
50	50		9-27	Palm muting in a hard-rock riff
51	49		9-28	Palm muting in a country riff
52	48		n/a	“The Articulate Blues”
53	47		10-1	Chuck Berry accompaniment riff
54	46		10-2	12-bar blues progression in A using double-stops
55	45		10-4	Box I hammer-ons and pull-offs
56	44		10-5	Bending in Box I
57	43		10-6	Double-stop bend in Box I
58	42		10-7	Box I solo
59	41		10-9	Typical Box II lick
60	40		10-11	Typical Box III lick
61	39		10-12	12-bar solo using Boxes I, II, and III
62	38	(0:00)	10-13	Sus chord progression
		(0:15)	10-14	Add chord progression
63	37		10-15	Slash chord progression
64	36	(0:00)	10-16	Drop-D tuning phrase
		(0:10)	10-17	Power chord riff in drop-D tuning
65	35		10-18	Typical phrase in open-D tuning
66	34		10-20	Southern-rock lead-lick in A
67	33		n/a	“Chuck's Duck”
68	32		n/a	“Southern Hospitality”
69	31		11-2	12-bar blues accompaniment
70	30		11-3	12-bar blues with boogie-woogie riff
71	29	(0:00)	11-6	Box IV riff with triplet feel
		(0:10)	11-7	Box V lick with slide to Box I
72	28	(0:00)	11-9	Box I blues lick
		(0:13)	11-10	Box II blues lick
		(0:23)	11-11	Box IV blues lick
73	27	(0:00)	11-13	Box I blues lick with major third
		(0:10)	11-14	Box I double-stop blues lick with major third
74	26		11-15	Riff showing typical blues phrasing
75	25	(0:00)	11-16a	Typical blues move
		(0:10)	11-16b	Typical blues move
		(0:19)	11-16c	Typical blues move
		(0:29)	11-16d	Typical blues move
76	24		11-18	Steady bass notes with the E blues scale
77	23	(0:00)	11-19	Repeated motive at the same pitch
		(0:11)	11-20	Repeated motive at a different pitch
78	22	(0:00)	11-21	Alternating between a lead lick and a bass groove
		(0:13)	11-22	Alternating between a lead lick and a bass lick
		(0:26)	11-23	Combining fretted notes and open strings
79	21	(0:00)	11-24a	Blues turnaround 1
		(0:13)	11-24b	Blues turnaround 2
		(0:26)	11-24c	Blues turnaround 3
		(0:39)	11-24d	Blues turnaround 4
80	20		n/a	“Chicago Shuffle”
81	19		n/a	“Mississippi Mud”
82	18	(0:00)	12-3	Em arpeggio
		(0:07)	12-4	Up-and-down Em arpeggio
83	17	(0:00)	12-5	Lullaby pattern
		(0:10)	12-6	Thumb-brush pattern
84	16	(0:00)	12-7	Thumb-brush-up pattern
		(0:09)	12-8	Carter style pattern
85	15	(0:00)	12-9a	Travis style, Step 1
		(0:08)	12-9b	Travis style, Step 2
		(0:15)	12-9c	Travis style, Step 3
		(0:23)	12-9d	Travis style pinch
		(0:31)	12-9e	Travis style roll
86	14		12-11	“Oh, Susanna” in Travis style
87	13		12-12	Travis style with Open G tuning
88	12		n/a	“House of the Rising Sun”
89	11		n/a	“The Cruel War Is Raging”
90	10		n/a	“Gospel Ship”
91	9		n/a	“All My Trials”
92	8		n/a	“Freight Train”
93	7	(0:00)	13-5	Free stroke classical exercise
		(0:15)	13-8	Arpeggio classical exercise
		(0:47)	13-9	Contrapuntal classical exercise
94	6		n/a	“Romanza”
95	5		n/a	“Bourrée in E minor”
96	4	(0:00)	14-2	Typical “inside” chord moves
		(0:17)	14-4	Typical “outside” chord moves
		(0:40)	14-6	Faking a jazz chord-melody solo
		(0:53)	14-7	A melody dressed up with altered tones
		(1:18)	14-8	Approaching target notes from a fret above and below
		(1:45)	14-9	Playing a melody as arpeggiated chord tones
97	3		n/a	“Greensleeves”
98	2		n/a	“Swing Thing”


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